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Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

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Nino does not do much except stroll the dog of Lucie, the grandmother of her best friend Romain who died a few months ago. But his situation will change abruptly.

Andréi a 19 ans. Il est borderline. Du moins c’est ce que l’institution psychiatrique dit. Ce diagnostic il ne sait pas quoi en faire. Au cours d’un voyage en Ardèche, Andréi se met en mouvement et tente de trouver ce qu’il nomme « la face non documentée de l’émotion ».

Tête à Tête à Tête takes place in another realm, where three heads sharing a single body live in idyllic harmony... until one of them begins to have a mind of its own. The film playfully explores how we're all "connected" but at the same time need to think for ourselves and respect differences.

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A famous lesbian comedian with strong ties to Toronto's LGBTQ2S+ community and a high-profile corporate lawyer well-established in New York City discover they share a similar fear of losing their status over living their true identity.

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